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artist: Emmanuel van der Auwera

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The Death of K9 Cigo
© » KADIST

Emmanuel van der Auwera

Film & Video (Film & Video)

Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings. Two months later, on 14 February 2018, 19 year old Nicolas Cruz killed 17 people and injured 17 others in a shooting at the Marjory Stoneman Douglas High School in Parkland, Florida. Van de Auwera began to follow videos uploaded to the Periscope App, a live broadcasting channel that closed in March 2021, downloading them and creating a bank of data that would otherwise disappear, as material on Periscope was self-deleting after a short period of time.

Mutant Garden Autobreeder
© » KADIST

Harm van den Dorpel

Advanced Technology (Advanced Technology)

Mutant Garden Autobreeder by Harm van den Dorpel is a generative animated artwork based on evolutionary programming that never appears the same twice. The work is based on an existing algorithm called Cartesian Genetic Programming, invented by Julian F. Miller and Peter Thomson in 1997, the system itself having been finely tuned by van den Dorpel to produce a very particular quality of qualia. The software has been carefully constructed to produce a stream of new and unpredictable mutations that build and react to each previous generation of image.

Indiscreet Units (Maldives)
© » KADIST

Harm van den Dorpel

NFT (NFT)

Indiscreet Units by Harm van den Dorpel is a group of more than 266 hue-rotating flags, stored on the Ethereum blockchain and IPFS. This is a project about the indeterminacy of color, and that variability as a metaphor for larger social and political forces. Each NFT in the series is the official flag design for nations (and related entities) around the world.

Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

From Green to Orange
© » KADIST

Thu Van Tran

Photography (Photography)

From Green to Orange is a series of silver films immersed in a bath of dye and rust. While the perception of the subject is made difficult by the chemical reaction, vegetation becomes discernible at a closer look. Thu Van Tran interferes in the depths of a mystery, in the density of a hallucinated dream.

Dial Tone Drone
© » KADIST

Aura Satz

Installation (Installation)

For her telephone sound composition Dial Tone Drone, Aura Satz commissioned a conversation between two old friends, the sound pioneers Pauline Oliveros (1932-2016) and Laurie Spiegel (born 1945). Carried out via iPhone and Skype and prompted by a series of questions from Satz, the pair congenially discuss aspects of drone sounds, which for years have been an important component of their unconventional electronic work, both audio and video. Their interest in drone sounds and use of sustained or repeated sounds, notes, or tone-clusters aligned with Satz’s own interest in alert signals, and the latter’s attempt to forge a new understanding of hypervigilance and emergency through sound as a perceptual trigger of high alert.

KEBRANTO
© » KADIST

Jonas Van and Juno B

Film & Video (Film & Video)

Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay. The mythical figure Boitatá is a protector of jungles and forests. In GuaraníBoitatá is the union of two words: Mbói (snake) and tatá (fire).

APA JIKA, The Mis-Placed Comma
© » KADIST

Erika Tan

Film & Video (Film & Video)

APA JIKA, The Mis-Placed Comma is one of three works Erika Tan filmed within exhibition spaces during the final stages of their transition from colonial period law courts to the National Gallery Singapore. Part of an on-going body of work, this video focuses on the figure of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya (today, Singapore and Malaysia), Halimah exists as a series of footnotes, gaining historical attention only for the act of a premature death from pneumonia, in London and away from home.

Há Terra!
© » KADIST

Ana Vaz

Film & Video (Film & Video)

Há Terra! (There Is Land!) is a short film by Ana Vaz that picks up on the artist’s previous film A Idade da Pedra (2013), in which Vaz imagined premodernity in her native Brazil.

Island
© » KADIST

Kan Xuan

Film & Video (Film & Video)

In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups. These highly polished and aestheticized images create a poetic visual flow. However, in front of each object lies a coin of different value—two yuan, one pound, one euro, one dollar—that silently reveals the material value of the household supplies.

Shanghai Biennale Awaiting Your Arrival
© » KADIST

Xu Tan

Drawing & Print (Drawing & Print)

Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)

The Weaver's Lament
© » KADIST

Erika Tan

Film & Video (Film & Video)

Part of an installation commissioned by National Gallery Singapore, The Weaver’s Lament by Erika Tan addresses the invisibility of women textile artists and their labor. Tan’s video focuses on the story of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya, Abdullah’s loom was left behind at the end of the exhibition, now residing in the Victoria and Albert Museum.

3FACE #3449
© » KADIST

Ian Cheng

NFT (NFT)

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function. 3FACE positions the process of minting a generative NFT as a metaphor for personality development. While part of a series, because of the responsive coding, each NFT is unique and is informed by the contents of the owner’s wallet.

As Far As We Could Get
© » KADIST

Iván Argote

Iván Argote’s As Far As We Could Get comprises a series of video chapters made in the municipality of Palembang, Indonesia and the small town of Neiva, Colombia. The two cities are exact antipodes. The geographical usage of the term antipode – designating points diametrically opposite one another on the globe – stems from the ancient belief that the other side of the earth held a kind of netherworld, where everything was inverted, causing the men who lived there to walk backwards.

Character Witness
© » KADIST

Nicoline van Harskamp

Installation (Installation)

The work is a speech composed of excerpts from autobiographies of well-known political characters. From each book an excerpts that describes a childhood event and one that describes a political event or statement was selected. The former, in most cases, functions as an alibi or explanation of the latter.

Didn't Know I Died
© » KADIST

Manuel Correa

Film & Video (Film & Video)

Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei. Earlier in her life during a simple medical operation, Mattei was declared medically dead. In the film, she recounts her first memory upon waking up, a dream.

Four Hundred Unquiet Graves
© » KADIST

Manuel Correa

Film & Video (Film & Video)

Manuel Correa’s documentary Four Hundred Unquiet Graves is a powerful and vulnerable visual essay about the descendants of those who were disappeared during the Spanish Civil War from 1936–1939. The film reveals the spectrum of violence that surrounds the war, namely the impact of thousands of forced disappearances on different generations. Surviving family members are haunted not only by the absence of their grandparents, but also by the overwhelming grief that lives in their parents.

La Forma del Presente (The Shape of Now)
© » KADIST

Manuel Correa

Film & Video (Film & Video)

La Forma del Presente (The Shape of Now) by Manuel Correa follows a group of survivors of Colombia’s 50-year long armed conflict facing the impossible task of agreeing on a shared past. After half a century of carnage, Colombia achieved peace. Despite an agreement between the government and the Revolutionary armed forces of Colombia (FARC_EP) being rejected by popular vote, the government chose to implement the agreements regardless, further polarizing the public opinion.

The Town
© » KADIST

Michel Auder

Film & Video (Film & Video)

The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings. At the time of recording, like all of this films, there was no particular intent. However, in the aftermath of 9/11, this film becomes prescient and ominously prophetic.

The Oblivion
© » KADIST

Audra Knutson

Drawing & Print (Drawing & Print)

Audra Knutson’s work The Oblivion was carved and printed in conjunction with the print The Death . Also a hand-printed linocut, many of the details in this work are based on photocopies of images sourced by the artist from her local library. At the time she was making these works, she recalls looking at ‘beautiful, sad, timeless and stark photographs taken in old-work segments of Europe and being influenced by their aesthetic and emotional gravitas.

The Death
© » KADIST

Audra Knutson

Drawing & Print (Drawing & Print)

Audra Knutson’s work, The Death , is a hand-pulled linocut print inspired by Rainer Maria Rilke’s novel The Notebooks of Malte Laurids Brigge . Set in what appears to be a pathway inside a small town, the scene features two central figures: a man seated on a chair with a skull on his lap, and a girl writing the message ‘voilà votre mort, monsieur’ on a nearby wall. The girl’s message echoes the expression in the man’s face, who appears resigned or as described by Knutson “accepting death or a monotony in living, and not embracing beauty.” The large areas of solid ink in contrast with the delicate linework create a sense of theatricality and drama, and add to the mysterious and surreal nature of the scene.

Talking Head
© » KADIST

Michel Auder

Film & Video (Film & Video)

Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way. The viewer is uncertain whether Alexandra knows she is being filmed but given that Auder was constantly filming she was probably oblivious to it. Her statements make little sense to the outsider : ‘The thing never came back again.

Wild Boy
© » KADIST

Guy Ben-Ner

Film & Video (Film & Video)

Wild Boy is the story of the education of Amir, the artist’s son. Ben-Ner plays the educator’s part, trying to domesticate the child. Using the metaphor of the wild child is Ben-Ner’s homage to this recurring theme in literature and cinema: from Edgar Rice Burroughs’ « Tarzan » to Truffaut’s « L’enfant sauvage », and Rudyard Kipling’s « Jungle book ».

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Die Siedlung
© » KADIST

Clemens von Wedemeyer

Film & Video (Film & Video)

Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants. It complements von Wedemeyer slightly earlier and more artistic film Silberhöhe (2003) which decried imposed Modernist living model. In Die Siedlung , a voiceover describes and criticizes the different sites on view while the camera moves slowly past a vast abandoned 1930s Nazi army barracks which has yet to be converted or demolished, the building site and wastelands for the new private single family housing area, a constructed pond and finally the 1960s or 70s communal blocks of flats.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Muster
© » KADIST

Clemens von Wedemeyer

Film & Video (Film & Video)

Clemens von Wedemeyer has imagined a trip back in time at Breitenau. Starting with events that happened there from 1933 to 1945, the German artist has composed three stories that reach the years of the women’s reformatory, in the 1970s, with a different protagonist for each era. A work that attempts to bring out the “pathology” of the site, as the artist tells Bert Rebhandl, and at the same time its “unforgettable” status as a black hole in the history of Germany, that sucked up innocent lives for almost a century.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Gan Chin Lee

Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...

Ian Cheng

The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...

Clemens von Wedemeyer

Ian Wallace

Manuel Correa

Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...

Michel Auder

Michel Auder was born in 1945 in Soissons, France...

Sergio De La Torre

Sergio De La Torre has worked with and documented the manifold ways in which citizens reinvent themselves in the city they inhabit, as well as the site-specific strategies they deploy to move “in and out modernity.” De La Torre often collaborates with his subjects, resulting in both intimate and critical reflections on topics like housing, immigration, and labor...

Li Ran

Yan Xing

An-My LE

Jes Fan

Jes Fan is a Brooklyn-based artist born in Canada and raised in Hong Kong...

Nan Goldin

Harm van den Dorpel

Harm van den Dorpel’s practice focuses on emergent systems and the role technology plays in their development and meaning...

Ho Rui An

The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...

Audra Knutson

Based in San Francisco, Audra Knutson is known for her delicate and intricate works that depict elements from nature as well as scenes and objects from the everyday...

Xu Tan

Erika Tan

Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices...

Ana Vaz

Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...

Marlon de Azambuja

Based on ideas of architecture, and by means of appropriation of public space and studio-based material operations, Marlon de Azambuja’s work creates new idioms for thinking and inhabiting the built environment...

Tan Zi Hao

Tan Zi Hao is a multi-disciplinary artist who works predominantly with installation and performance art...

Jean-Charles de Quillacq

Artist Jean-Charles de Quillacq erects works which have a complicated relationship to remaining upright...

Aura Satz

Aura Satz is a London-based visual artist whose work encompasses film, performance and sculpture and emphasizes the complex relationship between humans and machines...

Guy Ben-Ner

In his films, Guy Ben-Ner plays with the history of cinema, referring to the experimental origins of silent film, to comic figures such as Keaton and Chaplin, and to Truffaut’s French New Wave...

Thu Van Tran

Thu Van Tran grew up in the paradox of the dismantlement of the French colonial empire in Vietnam...

Lenora de Barros

Lenora de Barros studied linguistics and started her artistic career in the 1970s...

Emmanuel van der Auwera

Emmanuel van der Auwera is interested in conspiracy theories, surveillance photography and its ubiquity, giving texture to major events that are frequently smoothed out by media reporting...

Jonas Van and Juno B

Although Jonas Van and Juno B do not belong to a collective, this collaborative video reflects their individual practices and their complex subjectivities...

Kan Xuan

Hit Man Gurung

Hit Man Gurung was born in Lamjung, Nepal and is currently based in Kathmandu...

An-My LE
© » APERTURE

about 5 months ago (12/01/2023)

For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....